Week 3: Who's Bad?

Inspired by a colleague... in more ways than one!



The above mash-up was created by the very talented Mr. Abram Siegel. Quite obviously a labor of love, this mash-up is a perfect example of remix culture done right... by which, I mean, done "fairly."

At first glance, you might be thinking to yourself - "oh my, he's committed a gazillion copyright violations... I hope he has a good lawyer." However, according to the Center for Social Media's Code of Best Practices in Fair Use for Online Video, not only is Mr. Siegel not in violation of any copyright laws, he is furthering the cause of and his right to fair use.

Based on the best practices outlined in the document referenced above, Mr. Siegel's brilliant mash-up invokes fair use under the following criterion:

1) As an example of reproducing content in order to memorialize one of the greatest artists of our time;

2) As a catalyst for a discussion on fair use best practices; and

3) As a remix of copyrighted elements combined to create an entirely new work.

Bravo Mr. Siegel for a well-executed and well-timed contribution to the class discussion!

PS. Can you tell that's MJ's famous "Beat It" jacket on my t-shirt?!?

Sources:

Center for Social Media. (2008, June). Code of best practices in fair use for online video. Retrieved July 20, 2009, http://web.me.com/edm613/media/online_best_practices_in_fair_use.pdf

Siegel, A. (2009.) Michael Jackson mash-up tribute. Retrieved July 20, 2009, from http://www.youtube.com/watch?v=8govZkEZaC0&feature=player_embedded

Image Credit: Photograph taken by Emily Wray.

Week 2: Generation ReMix...

If an effort to share knowledge, my small group decided it would be cool to each post an entry to our blogs about a subject we felt like an expert in.

While I would never classify myself as a “graphic design expert,” I do have a lot of experience working with the medium.

One of the most challenging parts of being a designer is balancing how much ($$$) you believe your creative skills are worth with what clients are willing to pay for your time. Often times designers work (brainstorming/revising) many more hours than they actually bill. The seamless integration of the business process and the creative process can be tricky.

With the advent and proliferation of stock images, layouts and templates it’s even harder to convince a client they should pay $X.XX amount for an original design, when they could be paying half as much for something pre-packaged. What’s a designer to do?

I figured there had to be a way for a designer to capitalize on the availability and affordability of stock imagery… and I think I found one...

Instead of creating a custom logo from scratch, which would take anywhere from 4-6 hours (not including revisions), I’ve started to purchase component pieces from stock image sites and to edit them into something completely new. It ends up taking me half the time to design a logo, with only a small cost to me for the stock image. Working this way, by remixing parts, is more efficient for me as a designer and cheaper for my clients.

An added bonus is the gradual accumulation of my own stock image repository.

Here’s an example of the process at work…

Client: Mobile Muscle

Need: This young up-start company was looking for a logo that would visually communicate their mobile personal training service, geared primarily toward women. I was given no other information and no parameters to constrain my imagination.

After sketching a crude design on paper, I decided I wanted to create a logo that looked like a tire (mobile) with flexing biceps (muscle).

With that idea in mind, I headed to istockphoto.com where I searched images reflective of the two main components: a tire and flexed biceps. That part was easy enough. Below are the two source images I purchased to remix into the logo.


I combined what I wanted from each image and added original text created in Illustrator. Below is the end result.

The entire process only took about 2 hours.

Image Credit: Stock images purchased from http://www.istockphoto.com and repurposed by Emily Wray.